Of course I was aware of a new film adaptation of the Odyssey. It was hard to avoid. I was a bit in two minds about it. On the one hand; I have a bit of a fascination with old texts. The Odyssey is a bronze age tale that has survived all the way into modernity. That is spectacular!
On the other hand; it was clearly going to be a Hollywood blockbuster kind of film. Lots of crash, bang, wallop. I'm not keen on that.
In the end I figured I should check it out. We had seen the trailer when we went to see Effi (which is an entirely different film, obviously). To my surprise, Neil was interested in it too. In his case, not in spite of, but thanks to, the crash, bang, wallop.
We would go after my race. I thought it would be quite nice to sit on my arse for three hours after running my lungs out first. When I said that, Neil panicked a bit. I hadn't thought of telling him it was quite a long film. I didn't realise he didn't know. And he is quite sensitive to food issues. He made sure to have sufficient snacks on him! And we made sure to have a substantial lunch: we went for a nice post-race pizza. I managed to 3/4 of it.
We were really late, and there weren't many cinemas running it anymore. We went to Cineworld in Llandudno Junction, even though this is not anywhere near my favourite cinema. But it did the job.
We first had to sit through what seemed to be ages of commercials and trailers. I suppose that is your fate if you go to cinema like that. And then it finally started.
It starts inside Penelope's Palace. I did not know how close to archaeological evidence Christopher Nolan had stayed, but I did know he was keeping the film relatively close to reality, with as little green screen as possible. I wouldn't put past him that he had made sure to have a reasonable idea of what such palaces at that time looked like. I didn't have to pay too much attention to the story, because I was familiar with it, so I could look at this interpretation of this slice of the bronze age. And I noticed it was a bit of a testosterone version with lots of fistfights and pantomime baddies and whatnot. Unsurprisingly.
We then started to jump through the story of Odysseus’ travails, starting with the Trojan horse. I struggled a bit to imagine a bunch of starving soldiers on a beach could make a horse that is both so big and so sculptural, but hey ho. It is a myth. It doesn't have to be practical.
Suoon we were out at sea. I think the ships that they use to get around the Mediterranean are roughly historically correct. Imagine having to travel on those. That is enough adrenaline for me.
My classical education stirred its head when we got to the scene with the cyclops. They really changed that, but I suppose if they would have stayed closer to the source text, the film would have been even longer than it already was. I don't know the rest of the text well enough to be able to judge how much liberties they took there.
What I liked best were the scenes with basically only Penelope and Telemachus. They don't want all these suitors in the palace, but they know they can’t boot them out without repercussions that are worse. Telemachus knows he can't really claim the throne unless he knows what happened to his father, but finding out is a perilous business too. And they love each other, but the stress is getting between them.
Then you get the fall of Troy and Scilla & Charybdis and the sirens and Hades and Circe and whatnot. You don't get a moment of rest! But they do make you feel that it is a complicated world to negotiate. If you end up in the cave of the cyclops, you risk being eaten by it. If you use violence to avoid that fate, you risk the wrath of the sea god, who is its father. You might be pitched between starvation or pissing off the sun god. If the gods have decided that you will be the only one who will survive your travels, you still get the blame for losing your men.
Obviously, he makes it home. And then you get a surprising soliloquy in which Odysseus turns out to be absolutely wrecked by guilt about what he has done to Troy, and how these actions still reverberate through the known world. I don't remember that from the original text. I think this was a decidedly modern take on things. I liked it, though! You basically have a man who knows she has started a descent into chaos and the loss of civilisation. Very resonant with our times.
I tired a bit of the extensive fighting scenes when Odysseus gets a bow in his hands again, people start realising what is going on, and there is a mighty punch-up. But then at least peace returned. And then it was done.
We both enjoyed it! In our individual ways. And when we got back to Neil’s place, he had the remaining quarter pizza while I had a drink, and we were both good for bed. A successful night out!















